Monthly Archives: September 2017

Blog Post 9/28 Avery Lewis

Class discussion covered a broad range of societal issues that are brought to light in Black Boy. One of the overarching issues was Wright’s portrayal of the system of oppression created by southern whites toward the black community. Professor Rodrigues made a point that particularly caught my attention and that was the economic system of power that was in place. I think looking at the economic status of the black community that Richard is a part of at this time is particularly important in understanding this system of oppression.

In this society, black people are not allowed to rise up the economic ladder. One of the key beliefs in the “American Dream” is the idea that anyone can move up economically in life. We see that this is not true for blacks in the south in this era. They are held at low level jobs because whites know that elevated economic status leads to societal power. That’s why the two men run Richard out of the eye glass making shop. Black people in that community are forced to fight among themselves for low level jobs, barely making enough to get buy. This economic status is intentionally created by the white oppressors.

9/26 Blog Post–Will Telingator

Today in class, we had an interesting discussion about Wright’s narrative and the ways in which he has changed so far over the course of the book. One point in particular that I found interesting was Hallela’s comment about how Wright’s education also took place outside of the classroom, in the form of learning how to interact with his peers. Wright realized that on the first day of school, he often had to get in a fight in order to prove his worth and strength to the other boys. Also, Chloe noted that Wright also learned more about his position in society as a black man, and how he was supposed to be natural enemies of the white boys.

Overall, as we realized in class today, this idea of “education” can take on several different forms. Not only did Wright prize his education in the classroom of learning how to read and write, but he also placed great worth in his social education. Each of these different forms of education helped him to navigate his way through society. In our own lives, we can all probably relate to Wright’s experience with education. Each day, we learn new things, whether that be academic or social. We are constantly learning how to approach different situations or interact with different people in addition to our work in the classroom. Is there any type of education that is more important than the others? For Wright, he seemed to value both fairly equally. He took great pride in his success academically, and noted that he planned to take advantage of his academic success to pursue a career in the future. He also talks about how important it was for him to figure out his place in society, especially in the broader racial context of the time. As Wright shows us, education is fluid and can take on many different forms. For Wright, his “education” serves as both a means for survival in a social setting as well as a step towards social mobility and an exciting future career. It will be interesting to see how Wright’s education continues and takes on different forms through the rest of the book.

9/21 Blog–Hinton-Williams

A part of our discussion on Thursday was surrounding the keyword essays (immigration, family, freedom, and slavery) and how they relate to the narratives of Franklin, Douglass, Jacobs, and Antin. What was most striking during our discussion was the difficulty of only assigning one keyword to each narrative. I think this has to do with the different content and goals of each author as well as the how different connotations of the word were used in each work. For example, the word freedom, as Yaz touched on, is not a static idea. For Douglass and Jacobs, it is becoming separate from ownership, for Franklin it is independence, for Antin it could be freedom to express identity.  It changes based on the author, the environment, and the time period.  The intricacies of the words, as well as the setting of each narrative, make it difficult to pinpoint one obvious theme.

I also think that separating the keywords was difficult because each author integrates every keyword. As Jeremy mentioned, the idea of immigration appears in every narrative we read. And as our discussion proved, a case could be made for the appearance of every keyword in each narrative. I think this happens because their stories mirror the ones of “American” stories. Franklin is popularly considered the “first American.” Douglass and Jacobs tell stories of attainment or the goal of freedom in the United States, an idea tightly linked with US development.  Antin shows the voluntary adoption of the American identity. They all portray a sense of becoming an “American” beyond the state of citizenship. Similarly, the keywords are often linked with citizens’ personal stories of becoming an American. Their background often involves immigration, family, freedom, and slavery. The keywords are instrumental in how people define themselves in the US. The task of trying to isolate the themes of the American identity from inherently “American” stories cannot be done easily.

09/19/17- Teo

Todays class was spent reviewing the key ideas of academic honesty. We took a quiz that really made the class recognize how some areas that were not as easy to understand. For example, it is alright to use someone’s writing word for word but then it is necessary to give a citation. The citation is the currency of academia so it is essential to give credit where credit is due.  Also, I learned a very important rule that it does not matter whether the plagiarism was purposeful, it will still be directed to the subcommittee for Academic Honesty. I think it was important to know that if there is a case of plagiarism, the instructor and student should not settle it alone. It must be reported to the subcommittee and further action is taken there.

Further on in the class we moved on to practicing the differences between quotations, paraphrasing, and summarizing. It was useful to see the differentiation explicitly on a worksheet and then the ideas were reinforced when we practiced them in our small groups. Each group shared their summaries with others who did not have that reading. In the group that I went to, I learned about the keyword “immigration”. One really captivating point of the argument in that essay was the idea of “social economic checkpoints” . I am compelled to do more research and understand how competition and conflict in particular can affect immigrant families. Does the competition enhance society? What role can conflict give in a positive manner? Negative? I also realized that the discuss of immigrants needs to have not only immigrants involved but those that are surrounding their lives with immigrants or friends of immigrants. I am interested to see what work has developed around that idea.

 

Peer Editing? – Violet Frohlich

Hey everybody! Last class we mostly worked on peer editing each other’s papers, so I worry this blog post might not be very informative or interesting, but I figure an appropriate post could be about some motivation to peer edit as well as some suggestions (via my own personal experience) to make writing, and re-writing, more fun.

One of the main problems I sometimes I have with my writing is that I think it’s great when it’s not, or the whole process of writing an essay has been so arduous that the idea of going back and rereading it just seems like torture. I’m actually very appreciative that we’ve been able to see our writing through each other’s eyes. Plus, the benefits of being able to see other’s writing has been inspirational. I love the group collaboration that we’ve been able to do on this writing.

I think the key thing to worry about with writing that can sometimes be lost in a classroom setting is that it shouldn’t just be, like, a formulaic list of grammatically correct observations. The essays that I think are the best, that will have the most impact and can communicate ideas best (either to an audience or even a professor that’s had to grade dozens of the same essays) are the ones that communicate some sort of genuine human element. I think what’s important to craft good essays is to try and put as much of your own voice into it.

Good luck on your essays everyone!

9/12/17 Blog – Ebun Adewunmi

Tuesday’s class discussion concerned Marie Antin’s “Promised Land”. In the discussion following the pointing activity, there were common themes of citizenship, the love of America, pointed ignorance, and hindsight. It seems that Antin’s view of America as a child was skewed poisitvely in contrast to Russia, as in her writing she talks of America and George Washington as some sort of godly entity, as if America as a whole could only be full of good things and patriotic Bostonian history; and when she begins school and grows older, she is too glad to claim America as “her country”. Her shift in writing is most likely due to the distinction between the difficulty of the journey, and the impressiveness of the destination. This contrasts greatly with what was going on historically; during the time this book was written (1912), the Dillingham Report was published, establishing western European immigrants as superior to those from eastern and southern Europe, and anti-Semitic sentiments were not uncommon either. However, Antin seems to feign ignorance in these matters, and adopts a wholly patriotic stance. I believe this may have been for publishing advantage, as well as self-preservation. Her opinions must have changed from her childhood ideals as she grew older, but such thoughts were omitted from her book, as if her negative opinions would only justify negative views of the new immigrants of the time.

The Grandmother

After class last Thursday, I double checked on Jacobs’s grandmother’s status. Her name was Molly Horniblow, and she was freed. Historical details of how this happened seem to stem entirely from Jacobs’s account:

My grandmother’s mistress had always promised her that, at her death, she should be free; and it was said that in her will she made good the promise. But when the estate was settled, Dr. Flint told the faithful old servant that, under existing circumstances, it was necessary she should be sold.

On the appointed day, the customary advertisement was posted up, proclaiming that there would be a “public sale of negroes, horses, &c.” Dr. Flint called to tell my grandmother that he was unwilling to wound her feelings by putting her up at auction, and that he would prefer to dispose of her at private sale. My grandmother saw through his hypocrisy; she understood very well that he was ashamed of the job. She was a very spirited woman, and if he was base enough to sell her, when her mistress intended she should be free, she was determined the public should know it. She had for a long time supplied many families with crackers and preserves; consequently, “Aunt Marthy,” as she was called, was generally known, and every body who knew her respected her intelligence and good character. Her long and faithful service in the family was also well known, and the intention of her mistress to leave her free. When the day of sale came, she took her place among the chattels, and at the first call she sprang upon the auction-block. Many voices called out, “Shame! Shame! Who is going to sell you, aunt Marthy? Don’t stand there! That is no place for you.” Without saying a word, she quietly awaited her fate. No one bid for her. At last, a feeble voice said, “Fifty dollars.” It came from a maiden lady, seventy years old, the sister of my grandmother’s deceased mistress. She had lived forty years under the same roof with my grandmother; she knew how faithfully she had served her owners, and how cruelly she had been defrauded of her rights; and she resolved to protect her. The auctioneer waited for a higher bid; but her wishes were respected; no one bid above her. She could neither read nor write; and when the bill of sale was made out, she signed it with a cross. But what consequence was that, when she had a big heart overflowing with human kindness? She gave the old servant her freedom.

What, exactly, is going on here? The passage begins with a reference to the family tradition of white slaveholding women determining inheritance of enslaved black women–or in this case, their legal emancipation. There’s also reference to this tradition being backed up in writing. Dr. Flint, though, attempts to disrupt this chain of disposition and positions himself as the arbiter of the (unseen) legal document. This is where it starts to get really interesting: he apparently concurs with Horniblow that he is most powerful in private and attempts to avoid a public sale. Horniblow rejects his attempt to carry out his business behind closed doors and demands to be auctioned in the public square if she is to be auctioned. Jacobs describes her as “very spirited” and well-connected due to her side enterprise of cracker & jam production. Her standing in the community makes the attempted auction a farce. No one makes a serious bid. Finally, another woman in her deceased mistress’s family makes a low bid. It seems that everyone present understands what is going on, and no one bids more.

This passage seems to attribute a surprising amount of agency to Horniblow, especially in the form of social capital with whites. Somehow, she inspires them to separate her as an individual, telling her the auction block is no place for her, from others whose bodies mark them as fit for the same space. What is the source of this seeming honor among slaveholders, which Jacobs elsewhere indicates does not really exist (eg, while her mistress was alive, she was in no way beholden to honor Horniblow’s downpayment on her own or her family’s freed). Despite her moral standing and her entrepreneurial spirit, she is dependent not only upon a white patron but the rest of the white community’s respect (or fear? though I see no evidence of that in this passage) of that patron–or respect for her right to determine the disposition of what is seen as family property. Ultimately, is this outcome driven by recognition of Horniblow as exceptional in some way, or is it the logic of property being followed as usual?

Thank you to the class for finding a fascinating question in plain sight.

Blog Post 9/8/17

Something that I noticed in Jacobs’s writing was how much women affected her story. She was herself a woman, and in her chapter “Trials of Girlhood,” she talked about how beauty is a great burden on women because it makes their lives more difficult. Jacobs also was protected and guided by her grandmother while she was in slavery. After she ran away, she was taken in by yet another woman who protected her until Jacobs was truly free. While Douglass made some comments about women in his writing, he mostly centered around his own journey and the greater injustice of slavery as a whole. I find that Jacobs’s writing is more compelling because her identity is twice-disadvantaged: she is both black and a woman. In class, Martha mentioned that Jacobs was more popular in England while Douglass was more popular here. We pondered about the causes for that, and it is possible that Jacobs was less popular in America because she was more overt in her writing. Like I mentioned in class on Tuesday, Douglass’s writing could possible be taken out of context of slavery and speak to a greater truth on human existence as a whole. This is more difficult to do with Jacobs’s writing. Professor Rodrigues said that her work would have been seen as explicit in her time, and while she was a part of the growing abolitionist movement in the United States, her writing could have made Americans uncomfortable. It is evident that Jacobs’s gender heavily influenced her writing. Her double-minority identity may have made it easier for her to be overshadowed in the abolitionist movement. Douglass is seen as an American hero today, but Jacobs is hardly known in modern American culture.

9/5 Class Blog Response- Chloe Wray

What struck me when reading Frederick Douglass’ narrative were the differences that could be contrasted between his work and life and that as described in Benjamin Franklin’s autobiography. In class, Avery commented on one of the most noticeable differences he saw between the two works lay in the authors purpose for writing them. Between both pieces, similarities in themes can be found, but the social classes of the two men largely influenced their lives and writings and purpose. Benjamin Franklin wrote to impart wisdom, to share what he deemed a humble upbringing as the new American way with prosperity being an achievable prospect for anyone who worked hard enough. Franklin’s writing is filled with what he fancies as worthwhile tidbits of advice to the common man, much in style to his writing of Poor Richard’s Almanac. Franklin is accustomed by the time his autobiography is published to being generally well known and revered, so he has lost much of his humility, even in his writing. In contrast, Douglass is not so famous when he publishes his narrative, and even though he is known among the abolitionist community, he is trying to prove himself. The whole reason for his writing is the prove his experience, versus the purpose of boasting his experience as Franklin did. Douglass’ advice comes not as add-ons or proverbs, but are embedded directly in his descriptions of his life, not with the ulterior motive of influence. Lily suggested in class, that some of Douglass’ narrative, in particular descriptions of his wife and marriage are passages that could potentially be taken out of context today and quoted without reference to slavery. She wondered if this is something that Douglass would approve of, parts of his work not being used for their intended overall purpose. Franklin’s work begs to be dissected and uses in pieces of information, but Douglass’ is a work in it’s entirety, written to demonstrate experience, legitimacy, and atrocity.